Current location: Artists / Ryan Singh   
























 
Ryan Singh

Ryan is second generation born and raised Scottish Sikh. His musical path started when he was just eight, playing tubla and dholk alongside his farther at the Mili Gurdwara. Ryan's mamaji's from Manchester also played dhole and taught at music workshops at the Gurdwara.

A group of Ryan's mamaji's formed a group called ‘Betaab Sangeet'. They performed at many functions up and down the country and releasing a number of albums. With the influence of his family and his skill and talent, at the age of 12 during school holidays, Ryan organised his own music workshops at the Gurdwara, passing on his knowledge to other young aspiring musicians. The classes became so popular that the numbers had to be restricted.

A group was formed from members of his workshops calling them selves the ‘Dhole Crusaders'. They were asked to perform at the prestigious opening of the Scottish Parliament. The group was dressed to suit the occasion, wearing kilts made from the first Sikh tartan using colours from India and Khalsa. The tartan was designed by Ryans farther to celebrate the new millennium.

The look is totally original and unique to Ryan, following the Parliament opening his group renamed themselves ‘The Tartan Dholes'. The look of the Tartan Dholes briliantly reflects the cultural diversity of Scotland and the integration of a new generation of British Asians. By making ‘Dholicious' Ryan is bringing his music to a bigger audience. He has worked with the famous Tigerstyle at The Dera Production Suite. His album proves Ryan is a serious artist; he has played percussion on all the tracks. “Dil kokay vich” which was featured on VIP's previously released compilation album “Pure Desi Vol.1” proved to be a public favourite. The song, and Ryan himself also appeared in the video medley shown on TV screens nationwide.

Dholicious delivers even more of an upbeat and contemporary sound, with authentic & traditional Bhangra flava. The album showcases Ryan's slammin percussive grooves and puts together a package of fully loaded tunes to take the Bhangra dance floors by storm in early 2006.